Nathaniel Hawthorne

Patterns and Terms The Scarlet Letter by Chapters
The Short Stories Essay Topics for The Scarlet Letter
Listen to The Scarlet Letter Return to American Literary History

Recurring Patterns and Themes:

Recurring terms that will help bridge Hawthorne discussions:

Ambivalence: the presence of two opposing ideas, emotions, or attitudes at the same time; a feeling of uncertainty about something due to a mental conflict.

Ambiguity: a situation in which something can be understood in more than one way, and it is not clear which meaning is intended. Why would an author abandon clarity (a quality for which we strive for in essay writing) and produce purposeful ambiguity?

Uncanny:    Two definitions from the OED: b. Partaking of a supernatural character; mysterious, weird, uncomfortably strange or unfamiliar. (Common from c1850.) Of persons: Not quite safe to trust to, or have dealings with, as being associated with supernatural arts or powers.

Doubling: (See Chapter 9 in Scarlet Letter; The red and black rebel with a double face in MKMM.)

Recurring patterns and themes:

Thresholds: as characters pass physical thresholds, be a critical reading! Observe and take notes on the psychological change that happens to characters.

The Short Stories:

My Kinsman Major Molineux:

Young Goodman Brown:

Three possible interpretations for this story about a walk in the woods:

The Scarlet Letter

Chapter I

Chapter II

Chapter III

Chapter IV

Chapter V

Chapter VI

Chapter VII

Chapter VIII

Chapter IX

Chapter X

Chapter XI

Chapter XII

Chapter XIII

Chapter XIV

Chapter XV

Chapter XVI

Chapter XVII

Chapter XVIII

Chapter XIX

Chapter XX

Chapter XXI

Chapter XXII

Chapter XXIII

Chapter XXIV


Essay Topics:

ESSAY TOPICS FOR THE SCARLET LETTER


1) Write an essay that explains, illuminates and contemplates three Romantic element(s) in Hawthorne's The Scarlet Letter. See our web page for the various elements.


2) Before New Criticism, a school of thought that governed literary teaching/thinking methods roughly during the time period of 1955-1975, critics of The Scarlet Letter widely agreed that novel glorified Hester as the main character. Then, the New Critics arrived and agreed that Dimmesdale was the novel's "true protagonist" and that "Hawthorne portrayed Hester as woefully inadequate." What do you think? Start the formation of your thesis with your selection of the main character. You can not argue that both characters share this mantle. Make a case.


3) Many critics celebrate The Scarlet Letter's unity, sense of wholeness and overall balance by examining the three scaffold scenes. F.O. Mathiessen believed The Scarlet Letter to be Hawthorne's "most coherent plot...its symmetrical design is built around the three scenes on the scaffold." Formulate a thesis that celebrates the aesthetic balance of this text. One could also create a thesis that celebrates the dramatic structure of the novel.

4) (Challenging Topic!) In his essay, "Silence, Family Discourse, and Fiction in The Scarlet Letter," Michael Ragussis focuses on the "paralyzing silence" that involves the four family members: Pearl, Hester, Chillingworth, and Dimmesdale. "With the acts of engendering and speech under lock and key, silence becomes a kind of action potent to obscure, violate, and orphan. The tale's center, then, lies less in the crime of sexual transgression than in the crime of silence: to recognize publicly one's kindred is, after all, the moral concomitant to engendering, the means by which the family is defined not merely biologically but morally." Write an essay that delineates Ragussis’ claim about the ban of silence in the novel. How does his observation help us to better understand the importance of the novel’s moral?


Are you an audio learner? Know Thy Learning Style!

Enjoy chapter 14 in three parts:

Part I: click here for the mp3

Part II: click here for the mp3

Part III: click here for the mp3

Chapter 15

Part I Click here

Part II Click here

Part III Click here

Chapter 16

Part I Click here

Part II Click here

Part III Click here

Chapter 17

Part I Click here

Part II Click here

Part III Click here

Part IV Click here

Part V Click here

Part VI Click here

Chapter 19

Part I: click here for the mp3

Part II: click here for the mp3

Part III: click here for the mp3

Part IV: click here for the mp3

Chapter 20

Part I: click here for the mp3

Part II: click here for the mp3

Part III: click here for the mp3

Part IV: click here for the mp3

Part V: click here for the mp3

Part VI: click here for the mp3